Chapter X (10)
Journal Questions:
1. MISSING THINGS.
What two everyday items
come up missing in this chapter? Who notices them? What possible
reasons could there be for them being missing? If they were to be used
for some evil purpose, how could they be?
2.
BRENT'S GUILTY REVELATION.
What evidence is there that Miss Brent
feels guilty for Beatrice Taylor's suicide? Describe the evidence and
elaborate as to why it reveals her sense of guilt.
3.
PREDICTING DISASTER.
At this point in the story, according to the
nursery rhyme, how will the next victim die? Using that line in the
rhyme, take a guess as to who, what, when, where, and how it will go
down.
Thursday, May 31, 2012
Wednesday, May 30, 2012
Wednesday, 5/30/12
Chapter IX
Journal Topics
1. STAYING INVESTED
One of the biggest challenges when reading an assigned book is staying invested in it. By invested, I mean caring about the story and being genuinely interested in what's happening to the characters.
Some people are already put off by having to read a book that they didn't choose, but go ahead and try to have an open mind about it. Then at some point they either get hooked and actually want to read the book, or they don't. If they don't, it can make the remaining work very difficult.
Question A: Is it easier to be successful with a book you naturally like? Why?
Question B: Can you realistically expect to like all the books you're being assigned to read?
Question C: If you don't like the book and lose interest, what is the possible downside for you?
Question D: Finally, what can you do to prevent that from happening? In other words, how can you get yourself back into the zone of actually being into the book?
2. LOMBARD FESSES UP
Question E: Lombard has been keeping a secret from the others. What is that secret?
Question F: Why do you think Lombard "comes clean" about the nature of the invitation he received to come to the island? What does he stand to gain or lose by disclosing this information?
Chapter IX
Journal Topics
1. STAYING INVESTED
One of the biggest challenges when reading an assigned book is staying invested in it. By invested, I mean caring about the story and being genuinely interested in what's happening to the characters.
Some people are already put off by having to read a book that they didn't choose, but go ahead and try to have an open mind about it. Then at some point they either get hooked and actually want to read the book, or they don't. If they don't, it can make the remaining work very difficult.
Question A: Is it easier to be successful with a book you naturally like? Why?
Question B: Can you realistically expect to like all the books you're being assigned to read?
Question C: If you don't like the book and lose interest, what is the possible downside for you?
Question D: Finally, what can you do to prevent that from happening? In other words, how can you get yourself back into the zone of actually being into the book?
2. LOMBARD FESSES UP
Question E: Lombard has been keeping a secret from the others. What is that secret?
Question F: Why do you think Lombard "comes clean" about the nature of the invitation he received to come to the island? What does he stand to gain or lose by disclosing this information?
Tuesday, May 29, 2012
Tuesday 5/29/12
Chapter VIII
Journal Questions:
2. FINDING THE THEME
A)
Copy down the definition for the literary term
"Theme" in your Language Arts textbook (The Language of
Literature) on page R164.
Theme is often revealed through profound, universal statements made in dialog.
Theme is best demonstrated through the actions and consequences of the characters.
Theme more often than not focuses on the meaningful choices that characters make despite their circumstances.
B) Based upon this definition, come up with at least four different, possible themes of our novel so far? Focus on the overall story.
Theme is often revealed through profound, universal statements made in dialog.
Theme is best demonstrated through the actions and consequences of the characters.
Theme more often than not focuses on the meaningful choices that characters make despite their circumstances.
B) Based upon this definition, come up with at least four different, possible themes of our novel so far? Focus on the overall story.
C) Now, choose what you think is the strongest theme for And Then There Were None by Agatha Christie and explain your thinking.
How is this theme demonstrated in character decisions, actions, or dialog?
For help, go back to the definition above and recheck if your four themes really can be considered to be "themes."
Be an original thinker. Don’t look online for “the answer.” Instead, use your OWN thinking and perspective.
How is this theme demonstrated in character decisions, actions, or dialog?
For help, go back to the definition above and recheck if your four themes really can be considered to be "themes."
Be an original thinker. Don’t look online for “the answer.” Instead, use your OWN thinking and perspective.
Friday, May 25, 2012
Friday 5/25/12
Chapter VII Journal Questions
1. ATTWN - The Soundtrack. Sometimes it helps to
listen to "mood music" while reading to help your imagination to
really feel the tone of the novel. Is
there a particular song or soundtrack that you can think of that captures the
mood for you? If so, what is the title of the music and the composer/performer?
Why does this song fit for you?
2. A Searching We Will Go. Why do Lombard, Armstrong, and Blore decide to search the house and the island? What do they hope to accomplish? What is their plan and what will they do if they succeed?
3. Author's use of Imagery. Read the following passage from chapter 7:
"She turned her face to Vera. There was no self-reproach, no uneasiness in those eyes. They were hard and self-righteous. Emily Brent sat on the summit of Indian Island, encased in her own armour of virtue."
Expand on what Agatha Christie is telling us about Brent in this passage. Based upon this description, how would you describe Emily Brent? What kind of person is she?
2. A Searching We Will Go. Why do Lombard, Armstrong, and Blore decide to search the house and the island? What do they hope to accomplish? What is their plan and what will they do if they succeed?
3. Author's use of Imagery. Read the following passage from chapter 7:
"She turned her face to Vera. There was no self-reproach, no uneasiness in those eyes. They were hard and self-righteous. Emily Brent sat on the summit of Indian Island, encased in her own armour of virtue."
Expand on what Agatha Christie is telling us about Brent in this passage. Based upon this description, how would you describe Emily Brent? What kind of person is she?
Thursday, May 24, 2012
Thursday, 5/24/12
Chapter VI Journal Topics
MAKE-OR-BREAK
RELATIONSHIPS. In a survival situation, what kinds of relationships a character
forms with others may hold the key to whether they survive or die.
A. AN ALLIANCE. Name two characters who appear to have formed
an alliance. Support your idea with evidence from the text. Speculate as to why they
appeared to have formed a bond.
B. AN OPEN DISLIKING. Name two characters who appear to not
like each other very much. Support your idea with evidence from the text.
Speculate as to why they appeared to have a strained relationship.
C. A LONER. Name one character who appears to be going it
alone, neither attempting to form alliances nor making any enemies. Support
your idea with evidence from the text. Speculate as to why have they appeared
to have chosen to avoid forming relationships with others.
Wednesday, May 23, 2012
Wednesday, May 24, 2012
Chapter 5 Journal Topics (do all three)
Chapter 5 Journal Topics (do all three)
1.
1. EXPLORING MORTAL FEAR. Vera fears for her own
life. What kinds of behaviors, emotions, or ways of coping do people express
when they realize that they might die at any moment? How might it change
people's personalities? Is it possible to face eminent death in a positive way?
Would most people do so? Finally, if you knew you were in very real danger, how
do you think you might react?
2. WHAT THE HECK DOES THAT MEAN? When you come
across a word or a reference that is unfamiliar, how do you handle it? Be
honest. What are the benefits of using this strategy? What are the consequences
of using this strategy? Can you use this strategy all the time, or only
sometimes? Explain your reasoning.
3.ATTWN MASH UP. If you were to take the And Then
There Were None story template and translate it into another setting with
different characters, what would the story be like?
It could be another fictional world (like Harry Potter, Glee, or the X-Men), or maybe it could be something non-fiction (like your school, your track team, or American Idol. ) You decide.
Who would be the suspects? Where would they be isolated? How would the poem go (Ten Little Wizards? Ten little Gleeks?) How would the story be different or the same?
This should be a fun assignment, so be creative and let your imagination run wild!
Just don't offend anyone (especially your teachers and your friends)
It could be another fictional world (like Harry Potter, Glee, or the X-Men), or maybe it could be something non-fiction (like your school, your track team, or American Idol. ) You decide.
Who would be the suspects? Where would they be isolated? How would the poem go (Ten Little Wizards? Ten little Gleeks?) How would the story be different or the same?
This should be a fun assignment, so be creative and let your imagination run wild!
Just don't offend anyone (especially your teachers and your friends)
Describe how it
would be.
Tuesday, May 22, 2012
5/22/12 Tuesday
Chapter IV
Journal Questions
d) ...explaining why this is an effective tool for storytelling. Why does Agatha do this? What do we gain as readers? How does it improve the story? Why does she bother?
2. Reactions and Accusations. Track how each character (that's EACH character) reacts to their individual accusations of murder on the gramophone. Who takes responsibility? Who makes excuses? Who blames others? Explain each character.
3. So... Whodunnit so far? At this point you are probably already suspecting someone of being the killer. Who is your current pick? Give three intelligent, well thought out reasons why they are the most likely candidate at this time.
Chapter IV
Journal Questions
1. Getting into their "head space." Notice
how from time to time the author chooses to go into the internal world of her
characters, sharing their thoughts, dreams, hallucinations, and feelings.
Examine one particular incidence of this that happened in the last 4 chapters
by...
a) ...naming the chapter the event occurred in and the name of the specific character
b) ...explaining where they were physically in the reality of the story world at the time (one sentence)
c) ...explaining what was going on in the character's mind: where were they in their head? Who or what were they thinking about?
a) ...naming the chapter the event occurred in and the name of the specific character
b) ...explaining where they were physically in the reality of the story world at the time (one sentence)
c) ...explaining what was going on in the character's mind: where were they in their head? Who or what were they thinking about?
d) ...explaining why this is an effective tool for storytelling. Why does Agatha do this? What do we gain as readers? How does it improve the story? Why does she bother?
2. Reactions and Accusations. Track how each character (that's EACH character) reacts to their individual accusations of murder on the gramophone. Who takes responsibility? Who makes excuses? Who blames others? Explain each character.
3. So... Whodunnit so far? At this point you are probably already suspecting someone of being the killer. Who is your current pick? Give three intelligent, well thought out reasons why they are the most likely candidate at this time.
Monday, May 21, 2012
5/21/12 Monday
Chapter III Journal Questions
1.
Who Was Accused of What? List each character and the crime they are accused of
from the voice on the gramophone.
2. Central Object. The ceramic Indians will play a significant role in the
story that follows. What important central objects or focal points have you
seen before in other books, tv shows, or movies
3. The Call of Leadership. After the gramophone plays the record, which
character or characters seem to step into leadership roles, attempting to take
control of the situation, and how? Why do you think these people were the
natural leaders?
4. Play on Words. What does U. N. Owen really mean?
5. Diabolic Machinations. What does the combination of the Ten Little Indians
poem, the swan song record, the ceramic figurines, and the use of the name U.N.
Owen tell you about the "dangerous and homicidal lunatic" who invited
them to the island?
Friday, May 18, 2012
5/17/12 Thursday
The following Journal Questions to encourage guided reading are to be written in student's composition journals as they read Agatha Christie's And Then There Were None CHAPTER I.
1) Make a chart. What information do you know about each character upon their arrival? What information provided is obvious, and what can be inferred?
1) Make a chart. What information do you know about each character upon their arrival? What information provided is obvious, and what can be inferred?
2)
Which character had “the list?” What do
you think was the point of the list?
3)
Was each character invited to the island by the same person? If not, who was
invited by whom? What was the reason they were invited?
5/18/12 Friday
The following Journal Questions to encourage guided reading are to be
written in student's composition journals as they read Agatha Christie's
And Then There Were None CHAPTER II.
Answer any 3 of the 5:
1) What is each character's attitude or
opinion about being on the island as they settle in? Give evidence to
support your point for each character. (a bullet list of 8)
2) How does the poem make you feel? What does it remind you of? What images, associations or visions does it conjure in your imagination? Read each line out loud. Write a prediction about how you think the author is going to utilize this poem as a narrative device. Elaborate and think deeply about this question, including details and your own thoughts. (one paragraph)
3) Engage your sensory imagination for sound and smell. Imagine what being on the island would sound like. What would you hear? Imagine what the island and the house would smell like. Describe these in your best words. Use a thesaurus if you can't think of any good adjectives. What would be the source of these sounds and smells? (one paragraph)
4) Who is Mr. Dave, really? Explain what clues gave away his real identity. (one short paragraph)
5) Draw a rough sketch or map of the layout of the island and the mansion -- of what you know so far. This is a sketch you can come back to revisit as your knowledge of the physical world of the story increases. (two sketches)
2) How does the poem make you feel? What does it remind you of? What images, associations or visions does it conjure in your imagination? Read each line out loud. Write a prediction about how you think the author is going to utilize this poem as a narrative device. Elaborate and think deeply about this question, including details and your own thoughts. (one paragraph)
3) Engage your sensory imagination for sound and smell. Imagine what being on the island would sound like. What would you hear? Imagine what the island and the house would smell like. Describe these in your best words. Use a thesaurus if you can't think of any good adjectives. What would be the source of these sounds and smells? (one paragraph)
4) Who is Mr. Dave, really? Explain what clues gave away his real identity. (one short paragraph)
5) Draw a rough sketch or map of the layout of the island and the mansion -- of what you know so far. This is a sketch you can come back to revisit as your knowledge of the physical world of the story increases. (two sketches)
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